伪物语

怪异的风格，人物造型也符合审美，近乎抽象和变态强逼感的背景图画，几乎占了大部分时间值得人玩味的对话(原来是小说改，怪不得)。

从化物语被忍野圈粉，那种表象中带点黑暗风是吸引我开始追的原因。

但是伪物语，虽然男主和火怜关于正义的对话和同贝木关于戏剧性的对话这两幕堪称杰作，不过，其余时间性暗示太多了。

这类作品并不是只有手常伴纸巾的死肥宅才看，有后官和少许H并不讨厌，这可作为卖点也是调节气氛的情节，只不过，过多了就不是有趣，而是超越低俗变恶俗了。

特别是和火怜牙刷那幕，一堆人叫好，还有脱月火衣服，和八九寺怎么玩都是你情我愿，但这是兄妹啊。不是刷什么骨科、玩笑、渣男、缘之空就可以搪塞的事。这虽然是漫画，但是令我感觉恶心。另开ova给这些人意淫不行吗。

这就是我所说差一点的原因！！

“性恶说啊。高中生的话至少应该知道性善说吧，中国的哲学家——孟子的思想；‘人之初性本善’的那个。如果说性善说是理想论，性恶说就是现实论。人类的本质是欲望，人类是被欲望所支配的，那是赤裸裸的荀子思想；人生来就带有恶性，也可以这么说。因此人类所行的善事都不是出于本性，只是虚伪而已，他就是这样倡导的。既是虚伪，也是伪物，只是出于伪善而已。‘伪’即是‘人为’，所有的善都是来源于伪善，正因如此，才有‘此乃善’的意愿。

说起来贝木君以前也提出过这样的思考游戏：真货，和与其完全相同无法区分的冒牌货，究竟哪一个更有价值？对此人家给出的答案是“当然真货更有价值了”。忍野君说的是双方拥有相同的价值。可是贝木君他是这样回答的：‘冒牌货拥有的价值才是压倒性的。那种想要成为真货的意志，在这一点上冒牌货可是比真货还要像真货啊。’”
——影缝，伪物语

（用英文写，因为觉得缺乏锻炼）

Compared with the five captivating and succinct tales in Bakemonogatari, the two in Nisemonogatari are filled with random-as-hell scenes, conversations and sexual references. Despite the lack of main storyline, Nisemonogatari by no means lacks artistry nor intelligence – Akiyuki Shinbo may well be the most overrated anime director ever, so as NisiOisiN being the most overrated light-novelist, nevertheless the duo have unyieldingly demonstrated their “pseudo-talents” (or Nise-talents as the anime title suggests) in this series.

Nisemonogatari surpasses its prequel for miles in terms of art direction, especially if you recognize and appreciate the Shinbo-style. It is an artwork that defiles all possible rules laid down by anime academia (as opposed to anime industry), and in exchange produces overwhelming sensations for your eyes, ears and genitals. As for visual effects, Shinbo transplants his trademarked mass color blocks/silhouette figures from Bakemonogatari, combining with fancier lighting and 3D rendering. Moreover, Shinbo’s typical camera techniques – weird shooting angles plus frequent zoom-in on human body parts (female body parts in particular) – resonate perfectly with the outburst of erotic allusions throughout the series. As for conversation design, Shinbo’s excessive use of monologues reminds me of Before Sunrise/Before Sunset from 3-D universe. Though Shinbo’s monologue trademark appears in many of his earlier works such as Zetsubo Sensei and Maria Holic, the execution this time achieves two-fold effects. It not only manifests the characters’ 2-D universe moe personalities, but also inherits the 3-D universe symbolism of monologue as being the masquerade of pretentiousness, hypocrisy and pseudo-intelligence, which indeed reflects the theme of Nisemonogatari. Give a lot of credit to the terrific CV cast. Their voices and tones make the act of monologue entertaining and empathetic, regardless of the content of words. As for sexual references, are they even relevant to the story of Nisemonogatari? Of course not, but they are there for a reason – Just like how Jesse tries to impress Celine as they are wandering in the maze of Vienna, by conjuring up all sorts of experiences, anecdotes and philosophical ideas based on his short and pathetic 20 years-or-so life, Shinbo tries to impress his audience by all sorts of recipes, among which Ero(エロ) adds the spiciest and most everlasting flavor. Eventually, Jesse succeeds and gets laid; Shinbo’s pseudo-artistry succeeds too, as Nisemonogatari is attracting attention and laughter from all over the world.

With pseudo-artistry flourishing from the very beginning, Nisemonogatari barely reaches the climax of pseudo-intelligence at the last episode, by an intriguing discussion on honmono and nisemono. Not surprisingly, only what Shinbo believes in the most are explicated, namely Deishou Kaiki’s (貝木泥舟) view that nisemono is more valuable than honmono, because nisemono, with the strong volition of becoming a honmono, can understand the nature of honmono better and hence camouflage as honmono more truly than the honmono itself. In this sense, Nisemonogatari, and every Shinbo’s other work alike, is a nisemono. It resembles an anime masterpiece with great production, editing and score. However, at the core, Shinbo probably has always been that mischievous kid who enjoys experimenting his every single idea and pushing the boundaries of us anime fans.

物语的质量给满分，想吐槽一下业界泛滥的“伪善”男主人设。

日本人真喜欢用伪善这个词，就算做好事还要诛心问问自己是不是真心做好事的，想以圣人的标准要求自己，动漫里自我诘问“伪善”的男主太多了。

随便举几个例子，最典型的fate里的士郎和切嗣，打神父的时候疯狂辩论。罚抄里的瑚太郎在两个组织间奔走为了世界和平，拯救地球之余不忘反思：是伪善吗？不过瑚太郎行动力够强。re0里的486，做完好事也免不了被人骂是伪善。伪物语的垃圾君也是，救妹妹还要被关西姐嘴碎几句，我记得在书里对男主的心里描写还不少。

然而大部分情况都是主角问完自己是不是伪善，给不出好答案，来一句我就算伪善也要xxx，然后冲上去继续做好事。 从剧情的角度来讲，无非是为了表现主角虽然是好人，但人性中有自私的成分，“就算主角做了好事，但还是有自我满足的成分在”，嗯嗯知道了，已经品鉴得够多了。

第一个批判国民劣根性的鲁迅是天才，但如果之后文坛里每篇文章都要拉出来批判一下劣根性，只会让我觉得烦厌。