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影片根据纽约历史上最声名狼藉的谋杀悬案改编。1973年纽约地产富豪的儿子Robert Durst（瑞恩·高斯林 Ryan Gosling 饰）娶了美丽的穷学生Kathleen McCormack（克斯汀·邓斯特 Kirsten Dunst 饰）。两人婚后离开 城市，到乡村享受了一段恬静的时光，当返程时卡蒂回到了学校继续学业。一切看似幸福，可1982年Kathleen突然失踪寻访不得。2000年Durst的好友Susan Berman被发现死在家中，20年前的失踪案被重新唤起，Durst因这两个案件受到询问，但都因为证据不足而未受起诉。2001年Durst的邻居Morris Black被杀，尸体被分解，他再一次受到怀疑被起诉，可经著名律师辩护后被无罪释放。直到2004年再次接受审判Durst最终被判5年监禁，媒体将"百万富翁凶手"的名号赠予他魔鬼旅天堂岛疑云 第一季李清照1981迷局 第二季冰雪11天天音本能第二季我仍然在此美味先生桃花灿烂陪练人生罗马浴场逆时空少女新倩女幽魂残缺不全泡泡剧组水长流骏马她真漂亮昭和64年韩国佬荣誉贞女你不是诺米大法官金斯伯格城市游戏士兵之歌忍者刺客偷情小丈夫粤语版恋人们 2015电影版都市侠盗第二季文豪野犬BEAST逆光之恋印度警探第一季最后的巫师猎人国语我要活下去萨尼/32虎猛警师绝灭（国语版）时尚先锋香奈儿裸男孩加州靡情第五季
影片根据纽约历史上最声名狼藉的谋杀悬案改编。1973年纽约地产富豪的儿子Robert Durst（瑞恩·高斯林 Ryan Gosling 饰）娶了美丽的穷学生Kathleen McCormack（克斯汀·邓斯特 Kirsten Dunst 饰）。两人婚后离开 城市，到乡村享受了一段恬静的时光，当返程时卡蒂回到了学校继续学业。一切看似幸福，可1982年Kathleen突然失踪寻访不得。2000年Durst的好友Susan Berman被发现死在家中，20年前的失踪案被重新唤起，Durst因这两个案件受到询问，但都因为证据不足而未受起诉。2001年Durst的邻居Morris Black被杀，尸体被分解，他再一次受到怀疑被起诉，可经著名律师辩护后被无罪释放。直到2004年再次接受审判Durst最终被判5年监禁，媒体将"百万富翁凶手"的名号赠予他魔鬼旅天堂岛疑云 第一季李清照1981迷局 第二季冰雪11天天音本能第二季我仍然在此美味先生桃花灿烂陪练人生罗马浴场逆时空少女新倩女幽魂残缺不全泡泡剧组水长流骏马她真漂亮昭和64年韩国佬荣誉贞女你不是诺米大法官金斯伯格城市游戏士兵之歌忍者刺客偷情小丈夫粤语版恋人们 2015电影版都市侠盗第二季文豪野犬BEAST逆光之恋印度警探第一季最后的巫师猎人国语我要活下去萨尼/32虎猛警师绝灭（国语版）时尚先锋香奈儿裸男孩加州靡情第五季
长篇影评
1 ) Robert Durst All Good Things DVD Commentary
On the scene in the opening credits when a young Durst shoots a toy gun at his mom:
"I did like guns when I was a little kid, I remember that."
On meeting Kathie’s family:
"That is one of the major regrets in my life, is the way I treated her family, her mother. They’d never met anything like me before, this guy with piles of money and terrible manners. I used to feed the dog while I was sitting at the table. I used to talk about making love to Kathie at the dining-room table in front of her mother. [I was] absolutely impossible."
On why Kathie’s family paid for the wedding, despite the Dursts’ enormous wealth:
"The bride’s family pays for the wedding."
On his shock that Kathie was accepted to the Albert Einstein School of Medicine:
"I just didn’t think she would be accepted. I thought that if she was accepted to medical school, it would be one of the lesser-rated schools. My shock was somewhat tempered … [since] the reason she got accepted at Albert Einstein was because my grandfather was a founder of Albert Einstein."
On his refusal to help pay for Kathie’s school, and the cancellation of her credit cards:
"I was always, always, always very controlling. In terms of the stuff that’s out there — that I tried to get her out of medical school, that I wouldn’t pay her tuition — I wouldn’t pay her tuition because she’d hired lawyers, my lawyer insisted that I don't pay for anything that I hadn’t paid for in the past, and she’d gone and done one of those federal programs where they pay for it and you take a loan. The lawyer said, 'Don’t pay for the medical school.'"
"Yes, I cancelled her credit card and took her off the bank account, but she had her own bank account and I didn’t want her on mine, or I guess I was told that she shouldn’t be on [my] credit card — she could get her own credit cards."
"She never filed for divorce. She wanted a child, to have children, and she wanted me to not always be the dominant one, to not always make all the decisions in the marriage."
On the scene where Gosling’s character storms into Dunst’s graduation party and pulls her out by her hair:
"This is close. After a number of years, before, where we would go to her family’s house for a function, I would insist that we agree on how long we are going to stay: two hours, three hours, four hours. We would always do a negotiation, and when the time was up, I was ready to leave."
"I’ve seen the story about the hair two different ways. One way, I drag her out of the house by her hair; the other way, I grab her hair and a big chunk comes out. Either way is close enough."
On the scene in which Dunst’s character seeks refuge in a neighbor’s apartment in the midst of a fight with Gosling’s character:
Durst: This is more or less accurate. I don’t know why she would go in our neighbor’s window as opposed to go to their door. But it was pouring, and we were having a wrestling, shoving-type fight, and she ran out on the terrace and ran into their apartment. Said she was afraid to come home. [I] said, "She doesn’t want to come home, she doesn’t have to come home."
Jarecki: Did you feel like she was really afraid to come home?
Durst: I’ve got no idea. I didn’t really care one way or another what she did. It was late and I was just tired."
On the part where Dunst’s character discovers Gosling’s character killed Igor, the family dog:
Durst: This made me feel bad about the movie, Andrew. I mean, the idea that I could kill Igor, I don’t like.
Jarecki: Well, there was a lot of discussion about you having had a lot of dogs over the years, a bunch of [which] were named Igor. Someone said to us at one point that you had seven dogs over ten years or something."
Durst: No. We had two Igors before the Igor that lasted forever. One of them got run over, and one of them, when he was a puppy, went out and … ate an apple core. The apple core got stuck in his gut. We did an operation on him, and he died.
On his relationship with Morris Black:
Durst: [In Galveston, I] didn’t know anybody there to begin with, and when I left, I didn’t know anybody but Morris Black. And we were both loners and had some strange things in common and didn’t do much. There’s not that much to do in Galveston, anyway, but whatever it was, we did it. Went to some movies. Saw Traffic.
Jarecki: The movie Traffic?
Durst: Yes, the movie Traffic.
Jarecki: You didn’t just sit and watch traffic.
Durst: [Laughing] There wasn’t even much traffic in Galveston.
On Morris Black’s death and dismemberment:
"I remember it very, very, very clearly, and I remember the nightmare I went through over the next several days trying to decide what to do, deciding I could not go to the police, the police aren’t going to believe this, nobody’s going to believe that I came down here to Galveston a rich guy, rented a $300-a-month apartment disguised as a woman, and oh, by the way, my neighbor is lying in my kitchen with a shot in the face from my gun …"
"They never found the head. I have no idea why. I do know that there must have been 15 garbage bags full of body parts and other stuff with blood on it or whatever, and they found 12. Why they didn’t find the other ones, since they were all dumped in the same place, I have no idea."
"I did like guns when I was a little kid, I remember that."
On meeting Kathie’s family:
"That is one of the major regrets in my life, is the way I treated her family, her mother. They’d never met anything like me before, this guy with piles of money and terrible manners. I used to feed the dog while I was sitting at the table. I used to talk about making love to Kathie at the dining-room table in front of her mother. [I was] absolutely impossible."
On why Kathie’s family paid for the wedding, despite the Dursts’ enormous wealth:
"The bride’s family pays for the wedding."
On his shock that Kathie was accepted to the Albert Einstein School of Medicine:
"I just didn’t think she would be accepted. I thought that if she was accepted to medical school, it would be one of the lesser-rated schools. My shock was somewhat tempered … [since] the reason she got accepted at Albert Einstein was because my grandfather was a founder of Albert Einstein."
On his refusal to help pay for Kathie’s school, and the cancellation of her credit cards:
"I was always, always, always very controlling. In terms of the stuff that’s out there — that I tried to get her out of medical school, that I wouldn’t pay her tuition — I wouldn’t pay her tuition because she’d hired lawyers, my lawyer insisted that I don't pay for anything that I hadn’t paid for in the past, and she’d gone and done one of those federal programs where they pay for it and you take a loan. The lawyer said, 'Don’t pay for the medical school.'"
"Yes, I cancelled her credit card and took her off the bank account, but she had her own bank account and I didn’t want her on mine, or I guess I was told that she shouldn’t be on [my] credit card — she could get her own credit cards."
"She never filed for divorce. She wanted a child, to have children, and she wanted me to not always be the dominant one, to not always make all the decisions in the marriage."
On the scene where Gosling’s character storms into Dunst’s graduation party and pulls her out by her hair:
"This is close. After a number of years, before, where we would go to her family’s house for a function, I would insist that we agree on how long we are going to stay: two hours, three hours, four hours. We would always do a negotiation, and when the time was up, I was ready to leave."
"I’ve seen the story about the hair two different ways. One way, I drag her out of the house by her hair; the other way, I grab her hair and a big chunk comes out. Either way is close enough."
On the scene in which Dunst’s character seeks refuge in a neighbor’s apartment in the midst of a fight with Gosling’s character:
Durst: This is more or less accurate. I don’t know why she would go in our neighbor’s window as opposed to go to their door. But it was pouring, and we were having a wrestling, shoving-type fight, and she ran out on the terrace and ran into their apartment. Said she was afraid to come home. [I] said, "She doesn’t want to come home, she doesn’t have to come home."
Jarecki: Did you feel like she was really afraid to come home?
Durst: I’ve got no idea. I didn’t really care one way or another what she did. It was late and I was just tired."
On the part where Dunst’s character discovers Gosling’s character killed Igor, the family dog:
Durst: This made me feel bad about the movie, Andrew. I mean, the idea that I could kill Igor, I don’t like.
Jarecki: Well, there was a lot of discussion about you having had a lot of dogs over the years, a bunch of [which] were named Igor. Someone said to us at one point that you had seven dogs over ten years or something."
Durst: No. We had two Igors before the Igor that lasted forever. One of them got run over, and one of them, when he was a puppy, went out and … ate an apple core. The apple core got stuck in his gut. We did an operation on him, and he died.
On his relationship with Morris Black:
Durst: [In Galveston, I] didn’t know anybody there to begin with, and when I left, I didn’t know anybody but Morris Black. And we were both loners and had some strange things in common and didn’t do much. There’s not that much to do in Galveston, anyway, but whatever it was, we did it. Went to some movies. Saw Traffic.
Jarecki: The movie Traffic?
Durst: Yes, the movie Traffic.
Jarecki: You didn’t just sit and watch traffic.
Durst: [Laughing] There wasn’t even much traffic in Galveston.
On Morris Black’s death and dismemberment:
"I remember it very, very, very clearly, and I remember the nightmare I went through over the next several days trying to decide what to do, deciding I could not go to the police, the police aren’t going to believe this, nobody’s going to believe that I came down here to Galveston a rich guy, rented a $300-a-month apartment disguised as a woman, and oh, by the way, my neighbor is lying in my kitchen with a shot in the face from my gun …"
"They never found the head. I have no idea why. I do know that there must have been 15 garbage bags full of body parts and other stuff with blood on it or whatever, and they found 12. Why they didn’t find the other ones, since they were all dumped in the same place, I have no idea."
2 ) 健康食品
刚开始在垃圾房看到那个带血的蓝色丝巾搞不懂是啥，想了很久才想起。。。哦！是那个哈士奇脖子上的围脖！
3 ) All good things only live in your soul
说实在话，这部电影看得我有点小纠结。可能是我不能很好的理解悬疑电影的真谛吧。
尽管如此，这部电影还是给我留下了深刻的印象。
尤其是在爱情观婚姻观方面。
首先，一见钟情的爱情的确美妙，然而这种美妙紧紧就像是奶油冰激凌，在嘴间伴随着一点奇幻的味道而消失在氲氲热气之中，没有踪迹。据说男人都渴望一见钟情的爱情，这点可能是源于对美好外表的追逐吧。
忽然想到了《时尚女魔头》中的一句话，具体的记不清了，大概是这样的：内在美，人们很少会关心，因为耗时太久。外表才是第一。
所以，有段时间，我拼命减肥。
因为在这个时代，不漂亮的cinderella始终是打扫家务的cinderella。
有人说，女人啊，你为何变得如此可怕。我觉得是社会驱使的。
女性在中国这个受封建教化影响多年的国家里，始终屈服在男权之下，是弱者。
没人愿意老被驱使，所以，女性们只有强化内心，坚强，即使是伪装笑的开心。
因此，给我的爱情观影响是——①女孩，漂亮外表的，不要一心找个好男人，因为不管他有多好，始终他是他，你是你，靠不住的，靠自己才保险的；②是个女的都应该要提高自己的仪容，这点很重要。
其次，婚姻中的经济问题。这部片子中，我感觉经济问题始终左右了男女主人公之间的关系。谈到钱，两个字——伤神。可能这么想也只是因为我们的社会生存压力太大了吧。这太纠结了，懒得想，懒得写了。
末了，我想说的是，我曾经也幻想这个世界有多么美好，可是真真混迹于社会才发现Things are not like this。
现在想来，恐怕是因为，美好的东西从来都不以具体的真实存在的，它们静静存在于我们的想象之中。
All good things only exist in our thoughts, in our soul, in our heart....
尽管如此，这部电影还是给我留下了深刻的印象。
尤其是在爱情观婚姻观方面。
首先，一见钟情的爱情的确美妙，然而这种美妙紧紧就像是奶油冰激凌，在嘴间伴随着一点奇幻的味道而消失在氲氲热气之中，没有踪迹。据说男人都渴望一见钟情的爱情，这点可能是源于对美好外表的追逐吧。
忽然想到了《时尚女魔头》中的一句话，具体的记不清了，大概是这样的：内在美，人们很少会关心，因为耗时太久。外表才是第一。
所以，有段时间，我拼命减肥。
因为在这个时代，不漂亮的cinderella始终是打扫家务的cinderella。
有人说，女人啊，你为何变得如此可怕。我觉得是社会驱使的。
女性在中国这个受封建教化影响多年的国家里，始终屈服在男权之下，是弱者。
没人愿意老被驱使，所以，女性们只有强化内心，坚强，即使是伪装笑的开心。
因此，给我的爱情观影响是——①女孩，漂亮外表的，不要一心找个好男人，因为不管他有多好，始终他是他，你是你，靠不住的，靠自己才保险的；②是个女的都应该要提高自己的仪容，这点很重要。
其次，婚姻中的经济问题。这部片子中，我感觉经济问题始终左右了男女主人公之间的关系。谈到钱，两个字——伤神。可能这么想也只是因为我们的社会生存压力太大了吧。这太纠结了，懒得想，懒得写了。
末了，我想说的是，我曾经也幻想这个世界有多么美好，可是真真混迹于社会才发现Things are not like this。
现在想来，恐怕是因为，美好的东西从来都不以具体的真实存在的，它们静静存在于我们的想象之中。
All good things only exist in our thoughts, in our soul, in our heart....
4 ) 美好，不好，一切都还在
不明白这究竟是为什么，或许是电影与想象中的相比太过不美好，或许是我还年轻，或许是自己深深的迷失在了这算不上惊悚也算不上悬疑的片子里，或许还有许许多多的理由，有许许多多的不解。或许……抱歉，我不知道我到底在说些什么……
剧情就不说了，看了自然明白，不看也没有什么可惜而言……
因为看了《蓝色情人节》，一个在我心里彻头彻尾的悲剧，喜欢瑞恩高斯林的沉默与厚重。因为看了《夜访吸血鬼》惊叹于邓斯特的表演张力与其年轻的脸上自然流露的沧桑。坦白说，看这部片子，主要原因也就是这两位主演了罢。
All good things都会因为记忆亦或是期待而消失，我哀叹年轻、美丽和爱的流逝，沉默于罪恶的脱逃。只是，那些曾经的阳光与微笑依然会荡漾你我的心房。如果你想思索，如果你想尝试，看过影片，就将那些值得记忆的美好可在脑海里吧！
总之，心有爱，美好，不好，一切都还会存在
剧情就不说了，看了自然明白，不看也没有什么可惜而言……
因为看了《蓝色情人节》，一个在我心里彻头彻尾的悲剧，喜欢瑞恩高斯林的沉默与厚重。因为看了《夜访吸血鬼》惊叹于邓斯特的表演张力与其年轻的脸上自然流露的沧桑。坦白说，看这部片子，主要原因也就是这两位主演了罢。
All good things都会因为记忆亦或是期待而消失，我哀叹年轻、美丽和爱的流逝，沉默于罪恶的脱逃。只是，那些曾经的阳光与微笑依然会荡漾你我的心房。如果你想思索，如果你想尝试，看过影片，就将那些值得记忆的美好可在脑海里吧！
总之，心有爱，美好，不好，一切都还会存在
5 ) All Good Things
An interesting thriller featuring two of my favourite leads. Unsurprisingly the acting is great by not only them, but the entire cast. Although cliche to a fault, it is a great story by itself, but definitely has the feel of a missed opportunity for something much bigger. I understand the back story, the father-son relationship aspect of the film, and I like the tone that gives the film, but perhaps it dwelled on that a little too much and missed the more human aspect of the characters.
6 ) ALL GOOD THING WERE TIRED UP
一部电影的最后，竟然还是katty温暖的背影，脸颊的酒窝盛满幸福，暗淡了夏日的乡村的热烈，I still missing her.....
不知道katty有没有后悔嫁给david，初时的时候，他帮他修好了漏水的管子，她侧脸看见了她穿红色袜子的脚，笑的有些俏皮与可爱，后来她终于成了生命的最美好最极致，他们开了一家面包铺，在乡村。david的父亲在门前告诉david，她是个有自己想法的女人，年轻漂亮，她值得拥有更好的生活，你认为自己能够留住她吗？david愣在了那里。像一个世纪一样长久。
到现在，脑海里还浮现katty将满是血的蓝色围巾递给david的神情，或许最绝望的时候是这样，你连哭泣都失去了声音。那个时候katty为什么不逃呢？She can just run away.if she can.她亲手戴在狗狗脖子上的围巾，就是鲜红的鲜红的血迹。是不是这个时候katty就知道自己会像它那样被抛尸湖中呢？
最让我害怕的不是血和凶杀，而是独占的欲望，占有欲真是一种奇怪的东西，人在极度缺乏安全感的时候会尽力抓住一切可抓住的东西，像David，他在看到katty医学院的录取通知书时，投身冰冷的湖中只为了在船上留下时间存在的印记，爱情脆弱得不堪一击。当他当着katty家人的面抓她得头发把她拖回车中，当Katty被打的跳入邻居的窗中，一次又一次的纠缠，一次比一次猛烈，可是如何是好，katty还是一次有一次的回到家里，最后在逃回母亲家中的时候她打电话给daivd，you must let me go,I should go.david却一直重复，I know,just come home,katty katty回来了，却永远的停留在家中，她临死前的尖叫，淹没在邻居的恶梦里，淹没在开水壶的声音中，并和暗黑的夜色，诡异的玻璃联合在一起...一切再也无法挣脱，一切都是轮回的伤~
david把katty带到父亲面前，问他：当初你为什么不抱我进去，而让我看她跳下来，鲜血淋漓的死在我面前？为什么连抱我进去都不做？父亲像突然老了十岁，“我以为你站在那她就不会跳。”
写到这里，我才突然明白，为什么他不要小孩，他害怕孩子会遭遇和他一样的事情。会像他那样的永远困在回忆痛苦的囚笼里，永生永世无法解脱。
可不可以，可不可以不要把这么美好的事情撕碎在我面前？可不可以，让爱的人做自己想做的事情,不去考虑得失，那样的爱情才是持久的爱情，不是吗？我讨厌一切的家庭暴力，一切·。。。。。。。
不知道katty有没有后悔嫁给david，初时的时候，他帮他修好了漏水的管子，她侧脸看见了她穿红色袜子的脚，笑的有些俏皮与可爱，后来她终于成了生命的最美好最极致，他们开了一家面包铺，在乡村。david的父亲在门前告诉david，她是个有自己想法的女人，年轻漂亮，她值得拥有更好的生活，你认为自己能够留住她吗？david愣在了那里。像一个世纪一样长久。
到现在，脑海里还浮现katty将满是血的蓝色围巾递给david的神情，或许最绝望的时候是这样，你连哭泣都失去了声音。那个时候katty为什么不逃呢？She can just run away.if she can.她亲手戴在狗狗脖子上的围巾，就是鲜红的鲜红的血迹。是不是这个时候katty就知道自己会像它那样被抛尸湖中呢？
最让我害怕的不是血和凶杀，而是独占的欲望，占有欲真是一种奇怪的东西，人在极度缺乏安全感的时候会尽力抓住一切可抓住的东西，像David，他在看到katty医学院的录取通知书时，投身冰冷的湖中只为了在船上留下时间存在的印记，爱情脆弱得不堪一击。当他当着katty家人的面抓她得头发把她拖回车中，当Katty被打的跳入邻居的窗中，一次又一次的纠缠，一次比一次猛烈，可是如何是好，katty还是一次有一次的回到家里，最后在逃回母亲家中的时候她打电话给daivd，you must let me go,I should go.david却一直重复，I know,just come home,katty katty回来了，却永远的停留在家中，她临死前的尖叫，淹没在邻居的恶梦里，淹没在开水壶的声音中，并和暗黑的夜色，诡异的玻璃联合在一起...一切再也无法挣脱，一切都是轮回的伤~
david把katty带到父亲面前，问他：当初你为什么不抱我进去，而让我看她跳下来，鲜血淋漓的死在我面前？为什么连抱我进去都不做？父亲像突然老了十岁，“我以为你站在那她就不会跳。”
写到这里，我才突然明白，为什么他不要小孩，他害怕孩子会遭遇和他一样的事情。会像他那样的永远困在回忆痛苦的囚笼里，永生永世无法解脱。
可不可以，可不可以不要把这么美好的事情撕碎在我面前？可不可以，让爱的人做自己想做的事情,不去考虑得失，那样的爱情才是持久的爱情，不是吗？我讨厌一切的家庭暴力，一切·。。。。。。。
纽约历史上最声名狼藉的谋杀悬案外加一批好演员，这么好的一个本子居然被拍成这个样子，三个段落脱节厉害，故事拖沓，故弄玄虚，情节也自然被削弱很多。我想如果要是导演换成大卫·芬奇会不会变成经典？★★★
刚看完这部《所有美好的东西》，属于剧情惊悚电影，电影名字和剧情是相反的，所有美好的东西其实一瞬间就化作不美好，是对现实的讽刺，影片根据纽约历史上最声名狼藉的谋杀悬案改编，上流社会的人是不是都容易得精神分裂症？kristen dunst的复出，带给这部戏很大惊喜，将一个可喜可悲的妻
纽约史上最声名狼藉的谋杀悬案被拍成了这幅模样真是暴殄天物啊，如此有料的故事却被导演东拉西扯，叙事平庸且苍白，前中后三个部分完全脱节。好在有Ryan可以看...
也就看看男女主角的演技吧。
这个世界最易碎的就是男人的酒杯，政客的承诺，少女的梦想，钢丝上的爱情，现代社会的善良和高贵的心。
all good things
真实事件改编无法杜撰过多的臆想情节 导演不温不火的讲故事想把道德审判也搞得掩人耳目
x
嫁错了连命都要搭上
所有美好的东西就是犯下的罪恶都不用偿还。
高斯林太棒了，在小成本和独立制作里一路发飙
配乐很不错，后段元素太多，叙事稍稍有些不集中。
All Bad Things are All good Things.
I miss her so much
单纯叙事比起Zodiac是好看一些的..高司令的演技好到可怕
如果这部电影拍成纪录片的话肯定更牛逼！导演故事讲的不错，只是很难搞清楚他想表达点啥，没有道德立场，不评断角色，只有那些纪录片式的镜头摆在那里，虽说它依旧震撼了你，但也限制了影片主题的深层次挖掘。就好比它只告诉你事件本身，至于你得到了什么启发和思考，那就是你的事了。★★★☆
凶手到了Florida，大家要小心哟
就是對金牛座的女星不感冒 / "You said you don't want a kid, is it not now or not ever?" "Forever." "Is there something wrong with you?" 痴乜線啊
一般。。
没有评分那么糟，故事还是讲完整了，画面和音乐还是配合上了，演员还是到位了。真的，没那么糟。